FrustrationMy friend and writer Andrea Nasfell is part of something called a “BLOG TOUR.” This tour does not involve cruise ships or pina coladas with tiny umbrellas, but you do “travel” through the blogs of many writers as they pass the torch by linking blogs.  Andrea’s answers can be found at http://ahundredhats.wordpress.com. 

These kinds of questions forced me to analyze my own process… and hey, it’s been about 100 months since I wrote on this blog anyway (you can learn WHY when you get to question #2).

Let’s get to the questions!

Who are you?

That’s a deep question. Personally, I am a husband, father of two boys and generally silly person. I love comedy and movies and geek out a lot on sci-fi stuff and pop culture. Professionally, I’ve been a lot of things — a cartoonist, editor, stand-up comic and art director. But for the past 20 years I’ve mainly been a writer / director in the mainstream entertainment business. This means mostly feature films and good old fashioned “popcorn” entertainment. The great thing about my professional self and my personal self is that they intersect quite a bit at the heart of what drives me: I am a storyteller.

To be a “writer / director” is a valuable commodity, and it also allows me to hop between those roles. It can be refreshing to move between both jobs. I’ve written for other directors, and I’ve also directed things that others have written for me. But on the projects that are most near and dear to me, I am both writer and director.

Sometimes it can be exhausting to wear both “writer” and “director” hats, but I also know that whatever I am putting on the page is something I can carry all the way to the screen.

The writer part of me has been greatly sharpened over the past ten years… I’ve come to discover that writing jobs come along much more frequently than directing jobs. Directing anything takes a lot of people agreeing on a larger process that usually involves pulling the trigger on a lot of money. That can take a long, long time. Writing is usually one of the first steps people are willing to pay for, and that means I get paid a lot more to do that part… even for projects that never get made. The other up side to writing is that I get paid right away to write things, while I’ve been attached to direct projects for years and never seen a dime. Not many people understand this… the actual job of directing doesn’t actually kick in as a paying gig until very late in the evolution of a project. But in my heart of hearts, I love directing more, so I am a patient man.

What are you working on?

I am currently directing and writing an animated feature. It’s a really cool concept but the frustrating thing is that I can’t talk about it right now. I’m a guy who loves to share, share, share on my blog and take viewers through the process. But my bosses are really concerned about keeping things under wraps right now.

What I can say is that it is a fantasy adventure and that the original script and concept came from a couple other writers. I was originally brought on to do a rewrite, and that process started to unwrap a great deal of the story like the layers of an onion. Finally the producers wanted to see what I would do with the story on a much larger scale, reinventing the movie quite a bit. After that, they asked me if I would consider this as my next feature to direct. The more I write on something, the more I SEE it and the more I get attached to it. So I got hooked and here we are.

How does your work differ from others of its genre?

The more I work, the more I see patterns emerge that tell me what my “brand” is. What is a “Cory Edwards” script? It’s frequently a “genre movie” and is usually a combination of very mundane and relatable characters in fantastical situations. “Hoodwinked” was that tone: fairy tale characters talking like you or I would talk. We pushed it quite far, such as scenes with two caterpillars talking about dating or woodland animals as beat cops. The other heavy theme that I seem to write to is “purpose.” Finding it, denying it, rising to the challenge of a greater purpose. Those kinds of stories are relatable to any audience member. I also love word play and dialogue-based comedy. I like it when dialogue sounds real and natural and messy, but I am also a fan of old-school quotable bits from Monty Python or Abbott & Costello. Language is wonderful and interesting to play with, and every word is important. Everything I write I also read out loud, and when a scene plays well its rhythmic, almost like music.

DaydreamingWhy do you write what you do?

In short, I think movies are magic. And any form of storytelling can change an audience, move them, inspire them to change their attitudes or think on big life issues while being entertained. I strive to write things that have two levels like that: on one level, pure escapism and fun. On the other level, they should ask a fundamental question that any human being would ask. Those “universal questions” are embedded in the greatest movies we all love. And I suppose there’s one more thin layer on all of that, which for me is comedy. I think any genre or story, no matter how dramatic, needs a little comedy for you to get invested in the characters and fall in love with them. Even the scariest movies need the release of a laugh after a big scare. At least the films I love have that. In most meetings I take with studio execs or producers, I usually end up saying, “Remember when movies were fun?” Remember “Back To The Future?” Remember “Ghostbusters?” When you look at the very first Star Wars film, almost every scene was punctuated with a laugh. I think a lot of movies these days are too concerned about being “cool” or “tough” or “dark” and somehow that’s supposed to make them more “legit” to an audience. One of my missions is to bring fun back to the movies. Because when you’re smiling, you are open to the story, you are open to receive.

How does your writing process work?

When breaking a story, it’s enjoyable to do that with a lot of people in the room, because a kind of alchemy takes place in the sharing of ideas. I always come away from that process with more interesting ideas than I would ever generate on my own. But when it’s time to actually write the pages, I like to hibernate and work alone. I’ve co-written with several different people, but never found that magical pairing that I hear about — where both people write for hours together in the same room. I need to get my thoughts out with no filters between me and the page. But before that, outline, outline, outline. The structure and the details have to be there before I just plunge into writing the pages. I may spend weeks on the outline of a screenplay. But then it makes the daily assignments of each scene much easier. It’s soothing to know that the road map is already there.  After outlining, I like to write fast, just get it all down as it comes to me. Again, I need to do this alone. I’ve found that with other people in the room for that part, there’s too much premature editing and not enough “flow.”

That’s not to say I like to write in a void, or off in some detached location. Setting up my laptop in a Starbucks with a big hot latte is like a perfect day to me. There’s lots of life around me, and usually some good music, but no one will demand my attention. It’s a wonderful “white noise” that keeps me moving. I also think that when you are in a public place to write, you do a lot less staring into space and goofing around. You feel responsible to keep the machine rolling.

I pride myself on writing fast, and I think hitting deadlines, whether for yourself or a client, is the key to becoming a successful writer. Even on days when I don’t feel like writing or feel like I don’t have any ideas in my head, I find that just by hitting the keys, even writing badly, the creative juices will eventually flow. I guess I’d say that you have to start writing to start writing. And if you just have the faith to start hitting the keys, sooner or later, the good writing will come.

That’s it for my installment of this BLOG TOUR. You can read Andrea Nasfel’s contribution here: http://ahundredhats.wordpress.com/2014/07/29/blog-tour-my-writing-process/

And the writer that shared her blog thoughts with Andrea posted here: http://ritasravings.blogspot.com/2014/07/my-writing-process.html

(Sorry, my LINKS are not working like they usually do. Very frustrating.)


  • Jeremiah Says:

    Great to have an update! Hope you can share more soon. I don’t know how much your allowed to reveal about Frog & Toad right now, but I was wondering – what method will you be using to make that film? It’s with the Henson Company right? So will it be done with puppets?

    • cory Says:

      Sorry, it took me a while to see this comment. No, “Frog & Toad” will be totally animated, like many CGI animated films you see from Pixar, Dreamworks, etc. Henson is investing a lot more in animation development and this is one of their big projects in this area.

Leave a Reply

another site by